Introduction（頁93）；Form vs. format（頁94）；Class of compositions（頁94-95）；Cosmology（頁95-99）；Technological revolution（頁99-101）；Digital musique concrete and algorithmic composition（頁101-102）；Concept art（頁103）；Algorithmic composition: Mapping of natural phenomena（頁103）；Perceptual phenomenology（頁103-106）；Static mobile format（頁106-107）；Open field format（頁107-108）；Pattern/process format（頁109-110）；Esthetic alternatives in century twenty-one（頁110-111）
